Sunday, May 31, 2015

it's possible: deepities & rummies (part III)


The following 40 seconds aren't supposed to mean anything; I made it simply to compare voices. But it's possible that it will mean something to you.

It's also possible that it will amuse you as it does me.

In any case, you have to watch it now just to see why I used such tortured phrasing:



deepities & rummies: parts one & two

Friday, May 22, 2015

the ripe unripe


rene redzepi, noma, perfectly unripe, ripe unripe, chef
rene redzepi, noma, perfectly unripe, ripe unripe,
rene redzepi, noma, perfectly unripe, ripe unripe, known unknown, rumsfeld, green strawberry,
rene redzepi, noma, perfectly unripe, ripe unripe, known unknown, rumsfeld, strawberry, green strawberries,


In a way the above functions as a playful comment on my previous post, though I'd say chef René Redzepi's "perfectly unripe" (or "ripe unripe") is more interesting, if not more profound, than Rumsfeld's "known unknowns."



Tuesday, May 12, 2015

deepities and rummies


deepities, daniel dennett, lecture
dan dennett, deepity


The above was taken from one of Daniel Dennett's lectures. (For the coinage of "deepity," Dennett gives credit to the teenage daughter of one of his friends. He also notes that the jokey retort at the end—"You can't find love in the dictionary"—is almost a deepity.) I was reminded of this while watching Errol Morris' film about Donald Rumsfeld, The Unknown Known (2013).

Rumsfeld's famous speech is something other than a deepity:

"As we know there are known knowns—there are things we know we know. We also know there are known unknowns. That is to say, we know there are some things we do not know. But there are also unknown unknowns, the ones we don't know we don't know."

Rumsfeld's explanation is "true"—the three categories being highlighted are indeed stages of knowing. But it becomes a rummy when it's used to answer the following question from a reporter:

"Is there any evidence to indicate that Iraq has attempted to or is willing to supply terrorists with weapons of mass destruction?"

After Rumsfeld's dance of the known and unknown, the reporter continues:

"We just want to know, are you aware of any evidence, because that would increase our level of belief from faith to something that would be based on evidence."

Noun

rummy (plural rummies)

1. something theoretically true used in the wrong context for the purpose of obfuscation or evasion

Adjective

rummian


1. of, related to, or characteristic of Donald Rumsfeld or his works
2. marked by unhinged nonsense disguised as common sense

Particularly indicative of a rummy, though not a requirement, is that it be delivered in a Henry Fonda-style voice and punctuated with a smile that represents warmth yet suggests befuddlement over the simplemindedness of one's interlocutor. Since people tend to take your remarks for granted when you pepper them with Midwestern phrases like "you bet," "folks," and "for cryin' out loud," it can be of great service to employ them when dropping rummies. But again, not a requirement.


* * *

Rumsfeld is fond of quoting a maxim credited to cosmologist Martin Rees': the evidence of absence is not absence of evidence.

Again, true. And perfectly applicable in its original context regarding the possibility of intelligent life in the universe. Applied to foreign policy as a justification for war, however, is absurd since it could be used to justify anything. Worse than shifting the burden of proof to one's opponents, taking the logic behind this expression seriously in the context of probable cause actually discards the very notion of proof itself! The statement's other, far more obvious implication—that "absence of evidence" is not in itself evidence of anything—is ignored. (Note to future readers: It once went without saying that one needs evidence to go to war.) Another rummy.

At one point in the Unknown Known, Rumsfeld asks, "What else might have the United States have done to reach out to them [Saddam Hussein and Tariq Aziz] to get them to act rationally?"

Never for a moment does he consider the possibility that the United States was the irrational agent in the Iraq War, as if using the reasoning "absence of evidence" to justify one's actions—or even as a kind of evidence in support of them—is perfectly rational and reasonable. (Having previously spoken to Tariq Aziz, Rumsfeld notes how he seemed like such a logical, reasonable, rational person, an impression that simply did not jibe with Aziz's "irrational" behavior. "What goes on in that head of his?" Rumsfeld wonders, looking outward.)


donald rumsfeld, the unknown known, rummy, rummies, errol morris, equivocation,
donald rumsfeld, the unknown known, rummy, rummies, errol morris, cool, measured


Morris also highlights Rumsfeld's obsession with language, particularly definitions.

During his career, Rumsfeld sent numerous memos requesting "good" definitions (an interesting criterion) for words such as "terrorism," "victory," the OED definition of "several," and the dictionary definition of "scapegoat." He also asked the same for the terms "guerrilla warfare", "unconventional warfare," and "insurgent." His reasoning behind this is that certain words and terms will benefit the United States when they're used, and some will benefit its enemies—which is true. But it's also more than that, certainly, and it's disingenuous for Rumsfeld to treat this tactic as some kind of benign act of logic. Taking Rumsfeld's rationale at face value—that the point of invading Iraq was to get rid of Saddam Hussein—Morris asks why we didn't simply assassinate him. Rumsfeld responds, "We don't assassinate leaders of other countries." Morris then points out that we bombed Dora Farms heavily, a place in Iraq where we believed Hussein was visiting his sons. Rumsfeld condones the action by calling it "an act of war." In other words —and this rewording isn't cheap or unfair, either; Rumsfeld himself likes to use "other words"—a targeted airstrike aimed at a specific person doesn't count as assassination as long as you call it an "act of war." Got it. (It's important to note that all of this semantic quibbling and wordplay is also in lockstep with the NSA's misleading use of language.)


donald rumsfeld, rummies, dictionary, definitions, unknown known,


To end with, an example of rummian "logic" at its finest:

RUMSFELD: There are two sides to every coin. 'Belief in the inevitability of a conflict can become one of its main causes.' That is a truth. The other side of the coin, which is also true, is, 'If you wish for peace, prepare for war.'

MORRIS: But if both were true, well, you can use that to justify anything.

RUMSFELD: There's a similar thing in Rumsfeld's Rules where I say, 'All generalizations are false, including this one."


rummies, henry fonda, donald rumsfeld, there it is, errol morris,

Monday, May 11, 2015

affinities XXIV


adam ant, toecutter, darby crash, the road warrior
darby crash, adam ant, mad max, toecutter
toecutter, the road warrior, adam ant, darby crash, mohawk, norma moriceau, Hugh Keays-Byrne
Adam Ant, Darby Crash, The Road Warrior (1981)

It's known that Darby Crash's look in the middle photo (he had various looks) was influenced by (or stolen from) Adam Ant (the picture was taken in 1980 shortly after Crash had seen Adam and the Ants perform in England). What's less clear is whether or not The Road Warrior's costume designer, Norma Moriceau, was aware of either band or had seen images of their frontmen (Adam and the Ants were pretty well known by 1981). I hope she knew both, because I like to think of the three looks as a sequence, with Darby Crash adding the mohawk and Moriceau adding the S&M-style biker gear. It's also worth pointing out that Adam Ant, like the villain in The Road Warrior, sometimes used feathers as accessories.

But of course Ant's style didn't exactly come out of nowhere either...